literaryworkshavecreative的简单介绍

高手帮忙翻译下 ~~

本文主要研究古典名剧王实甫《西厢记》中的主要人物张生的形象。

This paper studies of classical plays Wang-ShyrFuu "West Chamber", the main characters in the family's image.

剧中张生是一个温文尔雅、执着志诚、略带傻气的形象，是一个热情、执着地追求爱情婚姻自由、勇于反抗封建礼教的叛逆者。

Chang play is a gentle nature and dedication of Northwest and slightly buffoonish image is a warm, dedicated to the pursuit of love freedom and the courage to resist the feudal ethics of the traitor.

他是极具生气和活力的喜剧形象，他的形象具有极强的艺术生命力，并影响着后世的许多创作。"

He is a very lively and energetic comedy image, the image of a highly artistic vitality, and the impact on future generations of many creative. "

英文翻译~关于文学的

虽然爱伦•坡与苏轼两人对亡妻的悲悼之情都是极其沉痛而且不可扼制的，但在作品中我们捕捉到的只是源于语言深层的情感共鸣，而非语言表层之上，有的只是作品细致委婉的抒写。华兹华斯指出：“我曾经说过，诗是强烈情感的自然流露。它起源于在平静中回忆起来的情感。诗人沉思这种情感直到一种反应使平静逐渐消逝，就有一种与诗人所沉思的情感逐渐发生，确实存在于诗人的心中。”在这里，我们不仅可以读出诗人所表现的情感经验的再体验，而且伴随着这种体验有一种自觉的沉思，从而于内心产生一种与过去情感同样的有一定组织形式的情感体验。二者皆以悲情为胜，句句沉痛，而音响凄厉，千古之下，令人为之潸然。

Although Ellen • slope and two of Su Shi's Mourning Becomes Electra亡妻are extremely painful feelings and can not contain, but in his works is that we capture the emotion stems from the language of deep resonance, not the language on the surface, there are Euphemism is the Writing and meticulous work. Wordsworth said: "I have said, poetry is very natural to us a strong emotion. It originated in China and recalled them in a calm feelings. Poet thought such an emotional reaction until calm gradually fade away, there is a poet Meditation by the gradual emotional indeed exist in the hearts of poets. "Here, we will not only poets read out by the performance of the re-experience the emotional experience, and experience along with that there is a conscious thought, thus resulting in a heart species of the same feelings with the past organizations have some form of emotional experience. Sadness for the two always wins sentence deep, and shrill sound, through the ages, the likelihood is it Shan.

文艺作品的风格指的是一个时代、一个民族、一个流派或一个人的文艺作品所表现的主要思想特点和艺术特点。”不同的时代有不同的风格，不同民族的文学作品其风格也会有诸多差异。爱伦•坡的诗歌风格浪漫，追求寻找一种古典的、忧郁的、遥远的美。他崇尚的古典美在《安娜贝尔•李》中得到了充分的应证，其诗中“kingkom by the sea”等背景材料明显带有浓郁的中世纪欧洲情调。爱伦•坡认为，是转瞬即逝使我忧郁，而忧郁在一切音调中最富有诗意。这种忧郁的情调和他的许多诗歌的意境是一脉相承的（如《致海伦》）。爱伦•坡在该诗中使用象征创造了意境的“忧郁”：“风”（wind）象征疾病，预示少女以后不详的命运；“天使们”（jealous angles）象征超自然的力量；“高贵的亲属”（high-born kinsman）象征人间的强大势力；海洋和陆岸象征生命和死亡、今生和来世、生者和死者的交汇和融合。《安娜贝尔•李》对凄美的咏叹和忧郁的吟唱为晚辈诗人所惊叹和赞美。我们阅读他的诗歌，处处都是感伤，有对飞花流云的沉思，也有对我们生与死的思索。爱伦•坡的创作风格使《安娜贝尔•李》达到了空旷、高远和神秘的境界。而在北宋这个具体的文化环境中，苏轼是一个富于浪漫气质和自由个性的人物，他在创作中所表现出来的洒脱无羁与无可奈何、随缘自适与诗失意彷徨，深刻的反映了他的内心苦闷。苏轼推崇自然平淡的诗歌语言，他对陶渊明抱有一种近似崇拜的心理，认为陶渊明的成就在其他所有诗人之上，这多少包含着他那追求平衡、淡远的精神状态。他的词同他的诗文一样，往往以意为主，追求道家的“贵真”审美观，任情流泻，故其风格也随着内容特点、情感基调的变化而变化。苏轼写伤感的词，委婉而细密。《江城子》幽深清绝，每个意象都突现幽寒的气氛，全词笼罩了一层浓厚的孤独与感伤，写出了苏轼对去世十年的妻子的既真挚浓烈，又曲折多变的思念之情。在《江城子》中，苏轼以虚写实，虚中见实，创造出不同于爱伦•坡的境界：既有超常的感情境界（生者与死者的感情交流），又有超前的思想境界（对女子的尊重）。

Refers to the style of literary and artistic works of an era, a nation, a school or a person's literary works have shown the characteristics of the main ideas and artistic characteristics. "Different times have different styles, different ethnic literature will have a lot of their differences in style. Ellen • slope romantic style of poetry, the pursuit of looking for a classic, melancholy, the distant United States. He advocates the United States and the classical In "Annabel Lee •" be sufficient to permit, the poem "kingkom by the sea" with an obvious background material, such as a strong atmosphere of medieval Europe. Ellen • slope that is a very brief period I depression, and the melancholy tone in all the most poetic. this melancholy mood and many of his poems is the same strain of the mood (such as "To Helen"). Ellen • slope in the use of a symbol of the poem created a mood of "melancholy" : "wind" (wind) a symbol of the disease, indicating the fate of young girls after the unknown; "Angels" (jealous angles) a symbol of supernatural power; "noble relatives" (high-born kinsman) a powerful symbol of human power; marine and land An symbol of life and death, this life and the afterlife, the living and the deceased's convergence and integration. "• Annabel Lee" on the melancholy beauty of the chant and sing for the younger generation of poets and praise the amazing. we read his poetry, there are sentimental, and the contemplation of the convective clouds fly, but also to our thinking about life and death. Ellen • slope of the writing style of "• Annabel Lee" has reached the open, lofty and mysterious realm. and in the Northern Song Dynasty of the specific cultural environment, Su Shi is a very romantic personality temperament and free people, he manifested creation kept without the free and easy and do nothing, adaptive随缘frustrated and helpless poetry, reflects his profound depression of the heart. Su Shi praised the poetry of natural plain language, he had a similar worship of Tao Yuan-ming's psychological, that the Tao Yuan-ming's achievements above all other poets, which includes a number of his pursuit of balance, mental state淡远. his words with him Like the poems, often based in Italy, the pursuit of Taoist "your truth" aesthetic,任情pouring, so the characteristics of style with the content, emotional tone changes. Su Shi wrote sad words, euphemism and fine. "江城子" deep clearance must, for each image are cold conflict the atmosphere is quiet, all the words over a layer of deep loneliness and pathos, Su Shi wrote on the death of the wife of a decade of strong both sincere and twists and turns thinking of changing the situation. In "江城子" in Su Shi's realism to virtual, virtual in the See is to create a slope different from Ellen • realm: the feelings of both extraordinary realm (of Health and the feelings of the deceased ), and ahead of the ideological level (respect for women).

literary works 和literature 有区别吗？区别是什么啊？

前者单指文学作品，后者即可指文学作品，又可指文学，包含一切文学作品，此时为抽象概念。

要一篇关于英美文学作家生平及其作品的英语文章

Emily Bront was born on July 30th, 1818, the 5th child of the Reverend Patrick Bront?, a stern Evangelical curate, and his wife Maria. When Emily was three years old, her mother died of cancer, and her Aunt Branwell, a strict Calvinist, moved in to help raise the six children (another daughter, Anne, was born soon after Emily). They lived in a parsonage in Haworth with the bleak moors of Yorkshire on one side and the parish graveyard on the other. When Emily was 6 years old she went to a boarding school run by charity, the Clergy Daughters' School at Cowan Bridge, where her older sisters Maria, Elizabeth, and Charlotte were already enrolled. The school was in no sense a material improvement over her home environment: it was run with the intention of punishing the pupils' bodies that their souls might be saved. The students were kept hungry, cold, tired, and often ill: Maria in particular, who at her young age did her best to mother her sisters, was treated extremely harshly. In 1825 Maria and Elizabeth both died of tuberculosis, the disease that was later to claim Emily's own life, and that of her younger sister Anne. Following these new bereavements, the surviving sisters Charlotte and Emily were taken home, but they would never forget the terrors and the hardship of their lives at school. Charlotte made it the model for the charity school Lowood, which figures so prominently in the life of her heroine Jane Eyre.

Life at home was much better for Emily and her siblings: in their isolated childhood on the moors, they developed an extremely close relationship partly based on their mutual participation in a vibrant game of make-believe. In 1826 their father brought Branwell a box of wooden soldiers, and each child chose a soldier and gave him a name and character: these were to be the foundation of the creation of a complicated fantasy world, which the Bront?s actively worked on for 16 years. They made tiny books containing stories, plays, histories, and poetry written by their imagined heros and heroines. Unfortunately, only ones written by Charlotte and Branwell survive: of Emily's work we only have her poetry, and indeed her most passionate and lovely poetry is written from the perspectives of inhabitants of "Gondal." For Emily, it seems that the fantastic adventures in imaginary Gondal coexisted on almost an equal level of importance and reality with the lonely and mundane world of household chores and walks on the moor. One would be mistaken, however, to conclude that the poetic beauty of Gondal was essentially different from that which Emily saw in the world around her. This becomes clear in her novel Wuthering Heights, in which her familiar Yorkshire surroundings become the setting for a tragedy whose passion and beauty is equal to anything that could be imagined elsewhere. Passion is in no way inconsistent with empty moors, cold winters, and brown hills.

As might be imagined from her intense emotional and artistic attachment to the country of her childhood, Emily Bront? very rarely spent any time away from home: indeed she could hardly do so at all. In 1835, at the age of seventeen she went to school at Roe Head where Charlotte was teaching, but became so pale and thin that her sister was convinced she would die unless she returned home. She left home again to be a governess in 1837 (a failure) and to study in Belgium in 1842, but both times she found she was unable to bear being away from home and her beloved, wild countryside. She could not adapt to playing the role of a genteel Victorian lady, or deal with the intrusion of strangers into her life ? she could never fit in. Emily never made any close friends outside of her family circle.

In 1845 Charlotte came across Emily's Gondal poems and read them, which made Emily furious when she found out. However, the discovery led to the publication of a volume of Charlotte, Emily, and Anne's poetry under the names of Currer, Ellis, and Acton Bell. They sold only two copies, but did not give up writing: Wuthering Heights was probably written in 1845-6, while Charlotte was working on The Professor and Jane Eyre, and Anne wrote Agnes Grey. Wuthering Heights (by Ellis Bell), was published in 1847, and attracted considerable critical attention: many people were shocked and horrified by sheer violence of Emily's novel.

While his sister were on their way to becoming famous authors, Branwell had failed as a painter and lapsed into alcoholism and drug abuse. He died in September of 1848, and his death marked the beginning of Emily's own illness. Tuberculosis killed her rapidly, perhaps because she stoically refused to make any concession to her ill health, continuing to get up early every day to feed her numerous animals even when she could barely walk. She died with heroic fortitude on December 19th, 1848, at the age of 30, and did not have time to appreciate the last flowering sprig of heather which Charlotte had found on the moors for her wild sister. Emily Bront?'s stern self-discipline and passionate creative vision have continued to entrance modern readers through her poetry and especially her masterpiece, Wuthering Heights.

你看看行不行，要不行我再改改

literary works是什么意思

literary works

[释义][法] 文学作品;

[网络]文学创作;

[例句]More and more foreign literature researchers have applied this theory

to their analyses of all kinds of literary works.

同时，广大的外国文学研究者则把这一理论应用于各类文学作品的批评实践中